Rhona Eskander and Payman chat with Adeola Gboyega, a renowned makeup artist and beauty expert with over a decade of industry experience.
The conversation delves deep into representation in the beauty industry, mental health challenges content creators face, and the evolution of social media’s impact on business.
Adeola shares her journey from traditional education to becoming a successful makeup artist and content creator while discussing important topics like the pay gap for black creators and the importance of authenticity in building a community.
In This Episode
00:01:45 – Backstory
00:03:30 – Early career
00:04:55 – Beauty standards
00:09:30 – Social media and the beauty industry
00:11:20 – Reflections on Black Lives Matter
00:12:25 – Ethnicity and pay gaps
00:15:00 – Nigeria and Nollywood
00:20:35 – Therapy and mental health
00:36:05 – The beauty industry
00:42:35 – Content creation
00:52:15 – Future plans and closing thoughts
About Adeola Gboyega
Adeola Gboyega is a seasoned makeup artist and beauty expert with over a decade of industry experience. She is known for her skin-first philosophy and collaborations with prominent beauty brands, including Bobbi Brown and Pat McGrath.
As a successful content creator and beauty educator, she has built a devoted community of “glow getters”.
[VOICE]: This [00:00:05] is mind movers [00:00:10] moving the conversation forward on mental health and [00:00:15] optimisation for dental professionals. Your hosts Rhona [00:00:20] Eskander and Payman Langroudi.
Rhona Eskander: Hey [00:00:25] everyone, welcome to another episode of Mind Movers. As always, I try to bring some of the most interesting, [00:00:30] eclectic guests to you to share stories of inspiration and most [00:00:35] importantly, try to understand how these people overcame adversity. I think it’s so important [00:00:40] that we understand people’s stories, what makes them who they are. Before we [00:00:45] jump to the conclusion that it’s luck and I’ve got one of my amazing patients and an [00:00:50] incredible content creator makeup artist, Boss Woman also has her own [00:00:55] podcast, so we’ve got Adiola Boga. She’s a seasoned makeup artist, A beauty expert [00:01:00] with over a decade in the industry experience. Having collaborated with prominent beauty [00:01:05] brands, she is renowned for her skin first philosophy, emphasising the crucial role of [00:01:10] exceptional skincare in achieving flawless makeup. Through her online tutorials, she [00:01:15] shares her coveted glow techniques, fostering a devoted community of followers known as [00:01:20] glow getters. With a commitment to enhancing beauty through education, Adeola is [00:01:25] a beacon of radiant inspiration in the makeup world. So welcome! [00:01:30]
Adeola Gboyega: Thank you for having me.
Rhona Eskander: It’s so fantastic to have you. So Adeola, [00:01:35] I like to start from the beginning. Tell us, are you actually a London girl? [00:01:40]
Adeola Gboyega: No, I’m not actually. So I used to live in London. That’s like where I started, but I actually [00:01:45] live outside of London, in Hertfordshire. Now when I say Hertfordshire, everyone’s like, oh, where? Because it’s such a big area. [00:01:50] Um, so I actually live in Cheshunt. Um, but I used to live in north London, [00:01:55] so that’s kind of where I started. Um, And then we moved out of London and then kind of slowly [00:02:00] edging back in. So yeah, I love that.
Rhona Eskander: And tell us a little bit about your childhood. Yeah. [00:02:05]
Adeola Gboyega: So my mum’s a single mum. She raised my sister and I and obviously [00:02:10] like, you know, there’s been difficult aspects of my childhood and it’s not always been easy. [00:02:15] But one thing that was always, you know, at the forefront was just seeing my mum work really, really hard. [00:02:20] And she’s a teacher herself, but she’s retired now and she was always the one [00:02:25] that, you know, advised me that whatever you do, just be passionate about it. And I think because she’s a mum [00:02:30] now, I’m Nigerian and she saw what it was like when you had like parents that made you [00:02:35] do certain careers that you weren’t happy and passionate about, i.e. becoming a doctor or a lawyer. You [00:02:40] know, being Nigerian and being African, you’re kind of told and expected to kind of do certain jobs. [00:02:45] And I think my mum saw the kind of opposite side of that where, you know, people were working [00:02:50] in jobs that they weren’t happy about. So she always said, you know, I don’t mind what you do, just be happy. And [00:02:55] that’s kind of like where it all started. But she was honestly somebody that I really looked up to, and I [00:03:00] just realised that whatever I do, I know that I need to work hard to be successful.
Rhona Eskander: So obviously [00:03:05] I come from a middle eastern background. I’ve got lots of Nigerian friends, and one of the big common things [00:03:10] that we had in common is the onus on education. So you just said that your mum [00:03:15] just wanted you to kind of be happy and make sure that you work hard. Did that mean that she was okay, [00:03:20] for example, with you not being in a career that was vocational or something [00:03:25] that would have definite security?
Adeola Gboyega: Yeah, I think for me there was always [00:03:30] different things I wanted to do. At one point I wanted to be a paediatrician, and then I did work experience working in a hospital. [00:03:35] And then I realised I’m way too emotional for this. I could never do it. And especially in a role [00:03:40] like that, you have to kind of like go in and do your job and then not bring it home. And but I’m very [00:03:45] much a person that’s very empathetic and I care about people and I always want to kind of support them. And I think [00:03:50] for me, I couldn’t have like gone into a job like that. And then at one point I wanted to be [00:03:55] a TV presenter. There were so many different things that I wanted to do. But she always made me realise [00:04:00] that, you know, just do your schoolwork, get your education, go to university. That was her only thing that I [00:04:05] had to go to university. And then I studied media and communications because I wasn’t really sure exactly what I wanted [00:04:10] to do, but I knew that I wanted to work in, you know, media, magazine, print. And also I loved [00:04:15] beauty. And so I actually did my career or my sort of like, course thinking [00:04:20] I was going to like, you know, work in glossy magazines such as Vogue. And then that didn’t really happen for me. [00:04:25] Like my degree was very different for what I expected. And but I did my degree, [00:04:30] I got a tutu and I felt like I made my mum happy. But then after that, I then thought, do you know what [00:04:35] I have to do? What makes me happy? And that’s when I then retrained as a makeup artist.
Rhona Eskander: So [00:04:40] you know what’s interesting? I mean, excuse me for asking this. You should never ask a lady how old [00:04:45] she is, but are you a millennial?
Adeola Gboyega: I think I am, yeah. Yeah. When were you? 35. I’m 35, [00:04:50] so I think I’m a millennial. Yeah.
Rhona Eskander: So growing up, what I really remember [00:04:55] as being so prominent is beauty standards that were really unattainable for women like [00:05:00] you and I. And the reason why I say that is because there were front covers of Kate Moss and [00:05:05] skinny white women, and I remember going to university and a lot of people [00:05:10] being perplexed when I used to get asked for modelling or asked to go to castings because [00:05:15] I didn’t fit that certain type of beauty standard. I found that really, really hard [00:05:20] growing up, and for me, that deterred me from the beauty industry. It didn’t necessarily [00:05:25] want me to go into it because I just thought, I’m different. I’m not considered beautiful, so [00:05:30] why would I go into something like that? What’s your experience of that, [00:05:35] and what was your experience of black beauty and, you know, feeling inspired to go into the beauty industry. [00:05:40]
Adeola Gboyega: So I didn’t again, like see a lot of examples of, you know, um, [00:05:45] black women working in the beauty industry. And if I did see anyone, it was someone that I felt was very [00:05:50] far removed. So I know we were talking earlier about Pat McGrath. You know, she’s a successful black makeup artist, [00:05:55] probably the most influential black makeup artist in the world. But unless you’re in [00:06:00] that area and in that industry, you wouldn’t really know that who she was. And that’s why I think [00:06:05] I struggled and kind of felt found it quite difficult to kind of go into my career and went into my career quite late. [00:06:10] Um, so it wasn’t until after I did my degree that I actually then retrained as a makeup artist. And probably [00:06:15] because of that and why I think it’s so important to have representation, because maybe if I’d seen other [00:06:20] makeup artists or was in the midst of others that I felt really inspired by, I would have felt that I could [00:06:25] have gone into that career a lot earlier.
Payman Langroudi: Um, we get that in dentistry too. So I [00:06:30] had Yewande here and she was saying she never considered being a dentist until she saw [00:06:35] Uchenna. Yeah. Do you know Uchenna? Okay.
Rhona Eskander: Was it Uchenna.
Payman Langroudi: That inspired on the TV and saw [00:06:40] that someone who looks like her could be a successful dentist?
Adeola Gboyega: Absolutely.
Payman Langroudi: That’s what she went through. But [00:06:45] the when you say a black makeup artist, is it necessarily that a black make up artist [00:06:50] knows about black skin, or is that not necessarily the case?
Adeola Gboyega: I mean, I feel like as a makeup artist, the [00:06:55] key strength should be that you should be able to do every skin tone just depending on who you are and [00:07:00] what your skin type is and what your skin tone is. But unfortunately, it isn’t that case, you know, [00:07:05] and I think even when I trained as a makeup artist and I would go to school, it was literally like a small [00:07:10] like segment of our sort of syllabus was being taught about black skin. And I feel like that is again [00:07:15] the downfall of like the education and teaching in terms of like not giving us like, you know, [00:07:20] a long sort of like time and a slot to kind of understand, like skin tones, complexions and the complexities [00:07:25] of it. Um, and so again, I think it’s so, so important to have that representation [00:07:30] because to your point, it was only for me being able to be in the midst of those industries and see [00:07:35] later on in life, I thought, actually, I could do this. I didn’t feel like I could before. Yeah.
Payman Langroudi: Was your mum [00:07:40] strict? Nonetheless, Nigerian mums and dads tend to be. Or [00:07:45] was she not? Was she out of the box in that sense.
Adeola Gboyega: She was strict, and I did have a strict upbringing, [00:07:50] but I think it’s because we went through a lot and I felt like she had to be very protective of me. So, for example, I didn’t [00:07:55] have my dad actively in my life like looking after me. So again, there was a lot of like her making [00:08:00] sure that I was looked after on her part because I didn’t have a dad or a father figure around that could [00:08:05] support me in that sense. And so, yeah, in some elements she was, but at the same time, she was very [00:08:10] open in terms of like, if I feel like there’s a certain career that I wanted to go for. Yeah, go and explore it and see how you feel. [00:08:15]
Payman Langroudi: Because in the community, when you tell someone, I’m in beauty. Yeah. Is there still [00:08:20] stigma? Do they still sort of because.
Rhona Eskander: You know, like the the thing that my parents are so [00:08:25] proud of is, um, when you say you’re going to be a doctor and I’m sure that’s like in the Iranian, you know, like, my [00:08:30] son’s a doctor, my daughter’s a doctor, you know, they love that. And it’s very hard to deter [00:08:35] away from that. And it’s almost like above all in life, but they’re a doctor. Yeah.
Payman Langroudi: So [00:08:40] someone I know fell in love with a dancer. Yeah. And she was. She was a fantastic, like, modern [00:08:45] dancer used to go all over the world like dancing, touring. And, uh, her parents said, what do you mean? You’re [00:08:50] going to marry a dancer? Yeah.
Adeola Gboyega: Like social media has changed that because I think now. Because [00:08:55] now people.
Rhona Eskander: Are gonna be like, I’ve fallen in love with a YouTuber. Do you know what I mean? Like, watch out. Your kids [00:09:00] might come home and be like, dad, I’ve fallen in love with, like, a TikToker. Do you know what I mean?
Adeola Gboyega: You know, like, I feel like that is [00:09:05] like when you ask kids, now, what do you want to be when you grow up? Before it might have been, I want to be a doctor. I want to be this [00:09:10] and that. Yeah. Now it’s like I want to be a content creator.
Payman Langroudi: The new president of Romania that has [00:09:15] just become, or just about to become the president of Romania, did not exist in the political scene until [00:09:20] six months ago. And then he did a TikTok only campaign. Only on TikTok, nowhere [00:09:25] else. And he’s about to become president of Romania. Yeah, this Trump character is right winger.
Adeola Gboyega: And [00:09:30] this is literally like the power of social media and how it just changed everything. And, you know, the question that you asked me [00:09:35] earlier about is there like a stigma? I think back in the day. So I started my in the industry in about 2012, [00:09:40] and obviously I didn’t have social media then. It wasn’t like a big thing. But [00:09:45] I would obviously like get a few comments, like, I’ve gone to university and I’ve done media and communications [00:09:50] and now I want to go and become a makeup artist, kind of like, oh, where’s that come from? But then now it’s like, you [00:09:55] know, everyone refers to me, oh, Adeola, you know, I know her, but she’s on, you know, social media. So it’s definitely [00:10:00] changed now because of social media. Absolutely.
Rhona Eskander: I want to reflect [00:10:05] and rewind a little bit now because you said representation is really important. Um, [00:10:10] I had a conversation with a guy that I met on Sunday. [00:10:15] Uh, he was um, from I think he was half Chinese, half [00:10:20] Jamaican. Um, and he was saying openly, you know, he’s the one that brought up the conversation [00:10:25] that he thought that Black Lives Matter wasn’t necessarily something [00:10:30] that was helpful to the community [00:10:35] or to his representation. And I thought that was an interesting stance. And it’s always important to hear [00:10:40] other people’s stance, because from my perspective, I was so happy that that had happened. Obviously not the events, [00:10:45] but the representation, because all of a sudden I was seeing black people at the forefront [00:10:50] in fashion, beauty, other industries, and that made me really proud and really happy. And [00:10:55] I thought for all those years of oppression, you know, you can never undo what had been done. [00:11:00] But, you know, they deserve to have the limelight. They deserve [00:11:05] to have the opportunities. I want to ask you how you felt about that whole movement, [00:11:10] and whether you think it was a good thing or a bad thing, and how it affected the beauty industry in [00:11:15] particular.
Adeola Gboyega: I think it was a moment that kind of stood still for a lot of people, [00:11:20] because when you think about when it happened, it was during lockdown and I, you know, really remember [00:11:25] that time because it was just it was just such a [00:11:30] crazy time at the at the time when it all happened. I think this is why it’s [00:11:35] important to take everybody’s individual experiences into consideration, because obviously Black Lives Matter as a movement [00:11:40] is so important, and it did highlight a lot of things. But again, like each individual [00:11:45] person’s experience is different. So that person’s experience was kind of like I found it quite negative. I didn’t love it [00:11:50] and it was a very negative time, especially for black people, because again, the highlight is on you [00:11:55] and then people are coming to you for answers. So I remembered a lot of my friends that weren’t black were [00:12:00] like messaging me, being like, oh, you know, was there ever a time that I maybe did something wrong or, you [00:12:05] know, is there anything that I could have done differently? And there was a lot of pressure for me to kind of feel like I could give them [00:12:10] some sort of like, relief, because they obviously felt guilty about a lot of things that they were going through. [00:12:15] But it was good because it highlighted a lot of things. For example, you know, even to this day [00:12:20] as a black woman, makeup artist, content creator, I don’t get paid nearly enough as [00:12:25] what my white counterparts do.
Rhona Eskander: So there’s still a pay gap.
Adeola Gboyega: Even to this day, and [00:12:30] to the point where Black Lives Matter was an amazing, you know, situation because it highlighted a lot of things. [00:12:35] But even now, I still feel like the change that, you know, people say has been made or it kind [00:12:40] of like highlighted, it’s still going back. If anything, I don’t know if it even did actually change. [00:12:45] Really. 100%. Absolutely. That’s so.
Rhona Eskander: Interesting. Yeah, I think [00:12:50] I had heard as well that there was still a pay gap issue. But why do you think that is? And why do you think [00:12:55] that.
Payman Langroudi: Companies the size of the market isn’t as big?
Rhona Eskander: Yeah, the size.
Adeola Gboyega: Of the market isn’t that big. [00:13:00] Um, unfortunately, I feel like a lot of companies and brands don’t see value in, [00:13:05] you know, black content creators, black makeup artists. And I think a lot of the time people [00:13:10] feel like they’re paying for, you know, for example. Okay, well, I know that [00:13:15] it’s it’s it’s good to be seen that I’m supporting and paying a black content creator, [00:13:20] but they’re still going to pay you less than, for example, a white content creator, because they feel like they’re just [00:13:25] ticking a box and it’s something that they have to do, but they still don’t see the value. And when someone doesn’t see the value in something, [00:13:30] their actions aren’t going to change. They’re going to do it because they feel like they have to. But when you ask them at [00:13:35] the core, like, do you feel like they got paid better or the right amount? They’re probably [00:13:40] going to agree and be like, actually, no, because they would have paid another content creator that’s done exactly the same job and can pay [00:13:45] campaign that I’ve done. And the fee that they got was marginally more than what I would [00:13:50] have got paid. But at least they’re going to be like, but at least we’ve given our money, or at least we’ve paid that person. [00:13:55]
Rhona Eskander: Do you challenge the brands on that?
Adeola Gboyega: Yes and no. Because obviously there’s a [00:14:00] part of me that’s kind of like, well, at least I’m getting paid. When you’re self-employed and you’re working for yourself, there’s obviously a responsibility [00:14:05] that you have to obviously make money. Um, but then I also I do my due diligence. [00:14:10] I have some amazing friends in the industry. Um, you know, someone like Lisa Potter Dixon, who I love dearly. [00:14:15] You know, she really supported and helped me when I was coming in the industry. And we have open conversations about [00:14:20] money and finances. And I think that’s a very important thing, because when people don’t talk [00:14:25] about things, how are you meant to know? When I came into the industry, I wasn’t having conversations about pay, so [00:14:30] I was getting paid thinking, actually, I think I’m doing okay. But it was only when I started speaking to other people [00:14:35] that don’t look like me and actually seeing like, the massive pay gap, that’s when I was able [00:14:40] to kind of be like, actually, I can fight my corner now and I have a leg to stand on and have a conversation because I [00:14:45] know what other people are getting paid. But do you.
Payman Langroudi: Do you worry that, like on the other side of it, that sort of the [00:14:50] tokenism of it?
Adeola Gboyega: Absolutely. And it still happens. Yeah.
Payman Langroudi: The people are including [00:14:55] you because they kind of have to from the and it still happens.
Adeola Gboyega: And there’s, you know, there’s a good and bad [00:15:00] part about it. You know, I want to show up for things because I think it’s important for people to see that I’m in those [00:15:05] spaces. But at the same time, I also got to think, well, actually, is it [00:15:10] actually helping me by being in those spaces if I don’t feel like it’s genuine? And so I won’t work with a brand [00:15:15] that’s not genuine. You know, I will go onto their page and see, have they worked with any other black and Asian [00:15:20] content creators or anyone that you know isn’t just a white person? Because I think it’s important that [00:15:25] you’re not just working with me, but are you going to be working with others throughout the line? Is it going to be consistent? Consistency [00:15:30] is key.
Payman Langroudi: And have you got access to. When I say access, do you are [00:15:35] you paying attention to the culture, the pop culture in Africa? [00:15:40] And I mean, Nigeria has got some massive music acts now. So like you’d imagine that’s [00:15:45] where there’d be beauty brands popping out of as well. Yeah, there’s.
Adeola Gboyega: A huge, huge business. I [00:15:50] went to Nigeria about two years ago now, and there’s a lady called Erica [00:15:55] Freemantle who has a platform called Airtel, and it’s basically embracing [00:16:00] all tones of women. And she actually did a, um, sort [00:16:05] of thing where she kind of invited loads of different people from the beauty industry, dentists, [00:16:10] and we all actually went to Nigeria and actually went to kind of see what businesses like out there. [00:16:15] It’s booming like it’s huge. You know, there’s a lot of people that have a lot of money. Obviously [00:16:20] there’s a lot of, you know, and.
Rhona Eskander: Nollywood is huge.
Adeola Gboyega: Yeah, Nollywood is huge.
Rhona Eskander: Nollywood is so [00:16:25] there’s Hollywood, Bollywood, Nollywood. Oh really. Yeah. And Nollywood. So when I went to Nigeria, one of my best friends [00:16:30] Ceci. Her twin sister is a Nollywood actress. Wow. Um. And [00:16:35] I was like, opened up to this completely different world. But like Nollywood is absolutely huge, massive, [00:16:40] huge. It’s, you know, really, really big. And the beauty.
Adeola Gboyega: Industry is huge over there as well.
Payman Langroudi: Yeah. Does anything [00:16:45] manage to jump over and come into Europe from there?
Adeola Gboyega: I wouldn’t say you should be that person, [00:16:50] but I think the other way round is then there’s a lot of people that are actually like leaving the UK and going back home because they [00:16:55] see that there’s massive opportunities out there, and I even saw that myself. Yeah, yeah. But again, it’s a lot about who, you [00:17:00] know, it’s very important to have good relationships and very like strong relationships out there because, you know, [00:17:05] you can go to Nigeria and make really serious money overnight if you know the right people and make [00:17:10] the right connections. Absolutely.
Rhona Eskander: Yeah, 100%. I mean, Nigeria fascinated me as well because [00:17:15] I actually went thinking it was going to be this like beautiful, untouched, like Haven. [00:17:20] And I was really disappointed because what was very stark to me was the amount [00:17:25] of corruption there was in the country. And they don’t look after their people. They don’t look after the country. [00:17:30] There was mounds of rubbish everywhere. And I was like, hang on a second. And then you go into these like incredibly [00:17:35] beautiful homes, you know, that are done up and you can really see that the government’s intentions [00:17:40] aren’t really with the people. So it was quite an interesting thing for me to see from a cultural point of view. [00:17:45] Yeah. Um, but no, I’m really, really fascinated [00:17:50] by what you’re saying. And I do think representation really matters. Dentistry is a funny [00:17:55] one, isn’t it? Because white people are like a minority in dentistry. You know, you get barely [00:18:00] any white people, so the majority would be Asian. And then like, there’s a lot of Iranians [00:18:05] and some Middle Easterns as well. Very few white people and very few [00:18:10] black people. And I think, you know, there’s also like medical societies now for that representation [00:18:15] for black doctors and dentists, which I think is super important as well. And I feel really passionate [00:18:20] about that. Obviously, you know, being a middle eastern woman, it’s really different. But [00:18:25] I remember like the bullying I got during university for being Middle Eastern [00:18:30] or even, you know, being labelled as like coming from a terrorist country or my parents, [00:18:35] you know, certain, um, prejudices against my parents. Like it was really tough for me. [00:18:40] And so for me, I’m like, yeah, you know, this stuff really matters. And I guess I’ve been a little [00:18:45] bubble because when I was seeing that representation come through, I was like, this is great. Things are [00:18:50] changing and I think things have changed, but more needs to be done. What do you think could be [00:18:55] done more?
Adeola Gboyega: Again, I think just valuing the [00:19:00] valuing the kind of content creators, the makeup artists and what they actually [00:19:05] kind of bring to the table. Um, you know, for me, I’ve really wanted to kind of give back and [00:19:10] kind of make sure that when I’m in those spaces, what can I do to kind of help the next generation? Because [00:19:15] I didn’t really have that when I was first starting. It was very much, what could I do to prove that I need to be here? [00:19:20] I didn’t really have anyone to kind of support me when I first wanted to become a makeup artist. [00:19:25] And so now it’s like, well, what can I do to kind of support anyone that’s up and coming? So I remember like for example, when [00:19:30] the Black Lives Matter movement happened, I didn’t really want to have a lot of conversations about what was going on [00:19:35] and kind of like have negative conversations. So I just said, look, if anyone’s in the industry that, you know, wants [00:19:40] to go into beauty and, you know, are from like, you know, black and ethnic minorities, [00:19:45] we can have like a one hour zoom session and I can kind of help you and support you because I just felt like, let [00:19:50] me focus my energy into the areas that are more important and where can I support? Because I think [00:19:55] that’s a really, really important thing. I don’t want to be having conversations about, woe is me. I’m not getting opportunities. [00:20:00] Yeah, victim. You know, I don’t want to be in that victim mentality. There’s so many things that have happened in my life [00:20:05] that people won’t even know about. If I kind of was in that victim mentality and mindset, [00:20:10] I’m always like, okay, well, this has happened. What can I do to kind of make it better? Um, and [00:20:15] so I think that’s a really important thing. But again, I think in the industry there needs to be more value placed on [00:20:20] black creators, on black people and what they’ve actually essentially brought to the table and how it’s so important [00:20:25] to the industry.
Rhona Eskander: So what kind of things have you overcome in your [00:20:30] childhood teenage hood that have built up your resilience?
Adeola Gboyega: So for me, my [00:20:35] mental health was something that I very much struggled with, but I didn’t realise how badly until I got a lot older. [00:20:40] And so, like we were having this conversation earlier about how I really suffered with high functioning [00:20:45] depression. So I’ve always been someone that’s very much into like working hard [00:20:50] and it’s worked in my favour. I’ve had some amazing opportunities that have arisen from it. [00:20:55] But then when, for example, things didn’t really work out in my, you know, career [00:21:00] and I was having a very difficult time and I wasn’t really kind of getting the sort of, um, [00:21:05] not necessarily like the payback, but when I wasn’t really getting the kind of experiences that I wanted [00:21:10] or felt like I deserved, I really, really suffered with my mental health because for me, it was always like, well, if I [00:21:15] give 110% in my career, I’m going to get X amount back. But it doesn’t always work that way. So [00:21:20] I had to really understand and unlearn that my value isn’t placed in like me achieving [00:21:25] things. So I was always like high achiever. Amazing opportunities. Opportunities always keep busy [00:21:30] and I’m always going to be happy. But then I would have those things and I was still chasing that happiness, [00:21:35] that quote unquote happiness that I was expecting. And it didn’t always happen that way. And so I had to really [00:21:40] unlearn that and then obviously go to therapy to kind of really help myself in that space.
Rhona Eskander: How old were you when you started therapy? [00:21:45]
Adeola Gboyega: So I had an initial, um, round of therapy when I went to my doctor’s [00:21:50] one time and I was like, I’m really struggling with my mental health. I think I was about [00:21:55] mid 20s. Um, and then obviously with that it was great. But [00:22:00] then you only get a certain amount. So there’s obviously struggling with.
Payman Langroudi: Your mental health. Just talk [00:22:05] me through it. What does that actually mean with panic attacks or.
Adeola Gboyega: No. Constantly crying. [00:22:10] Constantly crying. Yeah. Constantly crying like any little thing I would cry. Triggered. Triggered. [00:22:15] Yeah. Um, what else would it be? Always working, constantly [00:22:20] working. Like for me it was like work, work, work, work, work.
Payman Langroudi: And then if you stopped working, you’d get [00:22:25] sad. Yeah.
Adeola Gboyega: So for example, lockdown. Yeah. I’d never experienced being at home for that amount of time. Every [00:22:30] job that I’ve had would be me travelling constantly. Um, so for example, when I was working at Bobbi Brown, [00:22:35] I was a pro makeup artist, so I would literally get a calendar and it would say, [00:22:40] you’ll be in this city tomorrow, you’ll be in Manchester tomorrow, you’ll be in Birmingham the next day. I was hardly ever [00:22:45] at home. And then when I worked for Pat McGrath, it was the same thing. I think I probably travelled to over like ten, [00:22:50] 15 countries in one year. Um, constantly on the go. Do you feel.
Payman Langroudi: You didn’t also enjoy [00:22:55] the bits you should have enjoyed? You were like.
Adeola Gboyega: Yeah, exactly.
Payman Langroudi: Like the in like watching yourself [00:23:00] from above or something.
Adeola Gboyega: So like outside, everyone would look at me and be like, oh my God, I do always have this, like glamorous [00:23:05] experience. Like you’re travelling constantly, but then I’m coming home and I’m literally like [00:23:10] crying. Crying, like upset all the time. Wasn’t enjoying things. And it just got to the point [00:23:15] where I just felt like even my job, which is the thing that used to bring me so much joy, wasn’t making me happy [00:23:20] anymore. Um, and.
Payman Langroudi: Was it just talking that helped? Or did you take medication? [00:23:25] Yeah.
Adeola Gboyega: So I was prescribed antidepressants, but then I decided against it because [00:23:30] I think, again, there was a stigma where I felt like if I then start taking medication and then I become [00:23:35] dependent on it, then there’s the fear of that. If that stops working, what’s going to be next?
Payman Langroudi: Um, [00:23:40] but therapy itself helped a lot. It did.
Adeola Gboyega: Yeah. Because one thing I have to, you know, explain [00:23:45] with therapy is that it’s an ongoing thing. And I’m even thinking about going back again. I think people think that, oh, it’s [00:23:50] like a band aid that you go to therapy for ten years.
Rhona Eskander: I’m still going. I’m still going. Literally. Yeah. [00:23:55]
Adeola Gboyega: And I tell people all the time, it is a journey because you go through different stages of life. For example, [00:24:00] how I function with my depression now is very different to how I functioned with my depression five [00:24:05] years ago. You know, I could meet someone tomorrow and be married or have children. [00:24:10] How am I then going to cope with that? And so I have to kind of think about myself in different facets and how my life [00:24:15] changes and how my mental health is going to change. And so I might need to go back in and be in and out [00:24:20] of therapy to be able to kind of deal with that.
Payman Langroudi: And then what happens? The therapist talks to you and then [00:24:25] you go in the end. Does he say, does it become a in your childhood being scared thing?
Adeola Gboyega: Yeah, [00:24:30] I think.
Payman Langroudi: It gets to a point.
Adeola Gboyega: Where you then start to feel like, okay, I’ve outgrown the conversations [00:24:35] that we’re having, and I kind of feel like I’m in a good space, but then it doesn’t mean that that door is closed and [00:24:40] you can never go back again. It might even be as well that you might go to a different therapist, because they might specialise [00:24:45] in a certain thing. So for me, it might have been, for example, childhood trauma. And so I kind of [00:24:50] like worked with a therapist that really worked with that. And then next time it could just be about, okay, anxiety [00:24:55] or depression and how I’m kind of navigating life as an adult now. So again, it’s very important to kind [00:25:00] of like go to see someone that specialises in whatever it is that you’re dealing with at that time.
Rhona Eskander: I think also like, [00:25:05] look, my partner gives me a bit of a hard time because he’s like, you do so much therapy and coaching, [00:25:10] but like, what’s the point in just doing this copious amounts if you don’t have like boundless changes. And [00:25:15] I’m like, but that’s not the whole point. Because boundless like boundless change. Like you should have, like you [00:25:20] should big changes, you know, like in what you’re doing. But I’m like, that’s not really how [00:25:25] therapy works, because the therapist also has to work out things. They cannot tell you what to [00:25:30] do or how to behave. You have to sort of change your pattern of thinking. They [00:25:35] can challenge you depending on the type of therapy that you’re having. And it’s like that slow change [00:25:40] in thought patterns that can then change the behaviour.
Payman Langroudi: Do you want to talk about [00:25:45] what happens to you? I mean, yeah, she says she cries. So what happens to you?
Rhona Eskander: So what happened [00:25:50] was I first went to a therapist when I was.
Payman Langroudi: Like, what happens to you when you’re down? Like, so she cries.
Rhona Eskander: Um, [00:25:55] so what happens when I experience sense of [00:26:00] I tend to go in serious fight or flight mode. And what I recognised [00:26:05] is, is that my threat is emotional. [00:26:10] So when my threat is emotional, I go into a state of panic, and [00:26:15] I would say that a number of things can happen to me, like I can get shortness of breath, [00:26:20] but it’s also about catastrophic, like catastrophizing. Yeah, the [00:26:25] thought process. So like the emotional thing makes me feel like I’m going to die. Like, so, for example, [00:26:30] if I’ve gone through a Break-Up, I’m like, oh my God, like, this is so awful. [00:26:35] Like, I want to kill myself. Do you see what I mean? Now you see it, now.
Payman Langroudi: You see it for what it is.
Rhona Eskander: Yeah. [00:26:40] Kind of. But I think I hate being in that discomfort. Yeah. So the, the [00:26:45] the one thing that I want to do is self-soothe. And the one thing that I recognised about myself [00:26:50] when I was really young is that I don’t drink or take drugs [00:26:55] because I have a addictive personality. So sobriety was always a part of who I [00:27:00] was. But I think every human being, as someone like Gabor Mate recognises, [00:27:05] has some form of addiction. You know, he says that you could be even addicted, Twilight, whatever, for argument’s [00:27:10] sake. But I think that for me, I want to self-soothe. And my addiction [00:27:15] was validation. So my addiction was people telling me that I’m good enough. I think you’ll [00:27:20] find that that’s something that a lot of people on social media have as well. It’s why you’ve [00:27:25] got you’ve got this perpetual belief that you’re not good enough. And then people say, but you put yourself [00:27:30] out there. But then the pain of feeling not good enough actually propels you to put yourself out [00:27:35] there, because you want other people to tell you that you’re good enough. You know, it’s a sort of weird cycle that goes [00:27:40] on.
Adeola Gboyega: Yeah, absolutely. And I think that’s where it becomes very difficult because people see you on [00:27:45] social media being super confident, and then they can’t understand, like, how can you be like that? [00:27:50] But I think this is where there’s danger, because people then have a certain perception of you and they don’t understand that [00:27:55] you could be struggling with something like that. And the trolls come. Oh, 100%. Yeah.
Rhona Eskander: And you know, [00:28:00] Payman knows like and the trolls come and the trolls will come and be like, you’re so ugly, you need this, [00:28:05] you need that. And then I’m just like.
Payman Langroudi: Just the other side of you. Yeah. You without this, this [00:28:10] pod here and we’ve all been on your page. Looks at me. Looks [00:28:15] like. Looks like fun time.
Rhona Eskander: No.
Payman Langroudi: But. But then. But then on this pod, you say, [00:28:20] oh, I’m fat or something. I’m like, you’re not fat or I’m not enough or something.
Rhona Eskander: And I [00:28:25] think, I think it’s also the other thing is that, you know, the thing is, is that the state [00:28:30] of happiness is not about having more or to search for the exterior that you believe will make [00:28:35] you happy. It’s actually being happy with what you’ve got. And I think the problem is, is that I get in [00:28:40] a real compare and despair, because I will look at other people around me. I’m really blessed to have patients [00:28:45] like Adeola, like all these amazing influencers, but sometimes I’m like, if I was as [00:28:50] successful, pretty thin, you know, fun, [00:28:55] whatever it is as them, I would be happier because more people online would notice [00:29:00] me.
Payman Langroudi: We all have something, right?
Rhona Eskander: Totally, totally. But I think, I.
Payman Langroudi: Think that your Gabor mate point. [00:29:05] Yeah, or I might eat too much or, you know, Whatever it is, we all have something that keeps us, you [00:29:10] know, on the level. Yeah. Yeah. I’ve got really, like, burning question for [00:29:15] an expert in the beauty industry. Yeah. Yeah. So, look, both of us have products. Mhm. Yeah. [00:29:20] Oral care products. And oral care is nowhere near as mature as skincare. [00:29:25] Right. And I walk with my daughter in a Sephora area, and she shows me, like, [00:29:30] 15 new brands that do different things or whatever. And I love it.
Rhona Eskander: You take your daughter to Sephora? [00:29:35] Just saying no. She takes me.
Payman Langroudi: She takes me. She knows I’m involved in packaging and all that. [00:29:40] So she’s showing me the packaging of the products. But okay. And I and I [00:29:45] listened to some of your stuff, and you’ve worked for Bobbi Brown and Clarins and and many other [00:29:50] big brands. How much of it is the brand, [00:29:55] sort of what the brand stands for, and how much of it is the [00:30:00] actual product that, that, that you’re using? Because how can it be? You’ve got 300 [00:30:05] brands. More, right? Yeah. You’ve got 506 [00:30:10] step processes here. How can it be that each of these are different? And when I listen to my [00:30:15] daughter and I watch my daughter, she’s into what brand values more than the products. But [00:30:20] then there are certain products that she says, oh, these are so just just talk me through that because [00:30:25] we’re, we’re at we’re doing toothpaste. Yeah. Yeah. I [00:30:30] bet you can’t name more than four toothpaste. You know, like so toothpaste. For some reason, it stops at [00:30:35] the lips, right? Yeah. And suddenly toothpaste has become a thing, you know, with hi smile and [00:30:40] moon and those things. So talk me through how much of it is brand when you’re looking at a at [00:30:45] a at a beauty company? And how much of it is products?
Adeola Gboyega: It’s a [00:30:50] very good question. Yeah, it’s such a good question. And I think this is and you know, I always [00:30:55] talk about social media because I’m so fascinated by it. But it’s because now there’s such a [00:31:00] democracy in terms of everybody has a voice. Yeah. And everyone has a voice.
Payman Langroudi: Voice? [00:31:05] Yeah.
Adeola Gboyega: Because brands can only do so much. They can obviously like, do the packaging and then obviously they’ve got their [00:31:10] marketing. But at the end of the day, if someone doesn’t have an affinity with it and doesn’t kind of bond with [00:31:15] the message or the product, they’re not going to use it. So, you know, when I think of Rona, what you’ve [00:31:20] done is that you’ve created a community, and that’s why people love you and they come to you. And like, for example, when I think [00:31:25] about the kind of people that were coming to you, I came into, you know, have my teeth done because of that. [00:31:30] And I think that’s where it’s very important. You can only go so far with a good product. It could be the best [00:31:35] product out there. But I think what people are looking for now is what does it mean when I use [00:31:40] that product? What does it signify? So for example it could be this toothpaste is [00:31:45] amazing. But then I’ve seen, for example, another celebrity that I actually really admire that’s literally vetoed [00:31:50] that thing and said, it’s an amazing thing. Oh, I now feel like I’ve got a piece of that product. And also [00:31:55] I’m kind of like slightly aligned with said person. When I first started working in the industry, [00:32:00] I remember working for a skincare brand and they didn’t even have foundations for my skin [00:32:05] tone. This was only, what, 1012 years ago? Same. And I literally [00:32:10] vowed to myself that I’m never, ever going to work with a brand that doesn’t represent me. And it’s so important because [00:32:15] there are brands out there that are making millions of money, but don’t even care to actually have a selection [00:32:20] of foundations and products that actually service everybody. And it’s still happening [00:32:25] to this day. And I think that’s where it’s very, very important. For example, I even feel like we have too much product [00:32:30] now.
Payman Langroudi: Yeah, I mean, the number of the.
Adeola Gboyega: Number of things that we have, it’s just overwhelming. [00:32:35] And that’s with us being in the industry and being experts and actually knowing what we’re doing. Imagine everyday consumer [00:32:40] like going into places like Sephora. Where do they even start? I mean.
Payman Langroudi: Look, you could ask the same question about clothes, [00:32:45] bags, absolutely. All of those things. Yeah, it’s I think, you.
Rhona Eskander: Know, you the [00:32:50] community piece I think is such an important thing. And I [00:32:55] sometimes feel like my messaging, for example, on Instagram is a little bit confused because [00:33:00] I don’t actually think I’ve built up a strong enough community. What I have been lucky is [00:33:05] to have very strong, incredible women behind me that helped me build a [00:33:10] certain community. You know, Melissa’s wardrobe, beauty in the blog ush. You, [00:33:15] you know, and I was really lucky. And what I loved about that community was as they [00:33:20] represented automatically diversity, authenticity and the clients that I got [00:33:25] off the back of that. And it was funny because there’s a lot of people that follow basically all of you, for, if that makes sense, [00:33:30] that then come to me like, oh, I saw your Melissa and then I saw you in Adeola, or I saw you on YouTube, or I saw you on Michelle’s, you know? And [00:33:35] so it’s kind of like, you know, that the same sort of people actually follow you guys. And so [00:33:40] I’ve been able to have that teeth is a funny one, right? Because I think it’s one of [00:33:45] the only medical professionals where it’s function and beauty. And if you think about it like [00:33:50] medicine, dentistry. Yeah, dentistry. Medicine is actually quite divisive in a way, because you’ve [00:33:55] got the aesthetic industry and then you’ve got the dentist that like save the heart and the brain and they’re like, they would never [00:34:00] do aesthetics, you know? And it’s very divisive. Whereas in dentistry, you literally [00:34:05] can’t have pretty looking teeth without having healthy, functional teeth. It’s impossible. If your gums are bad, the aesthetics [00:34:10] will fail. If you’ve got tooth decay, the aesthetics will fail. Does that make sense? It’s one of the only places [00:34:15] where you’ve got to kind of, like, marry both of them up and it’s accepted. Yeah, exactly. [00:34:20] But I also think that there.
Payman Langroudi: Is on this product’s question. Yeah. So let’s say [00:34:25] I like I like what’s that drunk elephant love drunk.
[TRANSITION]: I love that you [00:34:30] know that as well. Love it. Yeah I like.
Payman Langroudi: I like that one. The [00:34:35] ordinary.
[TRANSITION]: Okay. Yes.
Rhona Eskander: I don’t I really don’t like it for clinical for me.
Payman Langroudi: Well, you know, I [00:34:40] don’t know anything about them. Yeah, but these are, these are. I’m just throwing out urban decay. Yeah, [00:34:45] yeah. Now.
[TRANSITION]: If if me and you.
Payman Langroudi: If me and you want to make a new toothpaste [00:34:50] brand. Yeah. Which of those brands do we copy? Copy [00:34:55] in inverted commas. Yeah, I can. So what’s your favourite skincare brand and what would that toothpaste [00:35:00] look like?
Rhona Eskander: No no no. But listen, when we were.
[TRANSITION]: Skincare.
Rhona Eskander: When we were designing Parler, I’m going [00:35:05] to tell you now, when we were designing Parler, immediately, we didn’t want to be like the big conglomerates. [00:35:10] And immediately there were three brands. Me, Simon and Ardeche were copied, like, not copied, [00:35:15] but were inspired by Aesop. Yeah. Le Labo maybe it was ordinary, but you see, [00:35:20] that was a feel of.
[TRANSITION]: Like trusted.
Rhona Eskander: Clinical and beauty because you [00:35:25] don’t want to be too beauty. Yeah. The gold toothpaste. Come on. Do you know what I mean? Like, there’s a bit like. Does a dentist [00:35:30] approve of this? Yeah. Whereas you need to speak. And also there is something I’m going to put it out there, guys, [00:35:35] about Scandinavian Swiss brands that you trust. I just trust everything Scandinavian, Swiss, [00:35:40] those things like. And so again Aesop. I know Le Labo is French, but you know like you get that sense of like [00:35:45] I trust them. I trust the Scandi.
[TRANSITION]: So you went you.
Payman Langroudi: Went that route.
[TRANSITION]: Yeah we went Aesop’s Australian. [00:35:50] Is it? Yeah. Are you sure? Yeah. Yeah.
Rhona Eskander: Okay, fine. But you know what I mean.
Adeola Gboyega: Who [00:35:55] am.
[TRANSITION]: I? Who do.
Payman Langroudi: I mean? I know you’ve worked for, but. But for instance, Pat.
[TRANSITION]: Mcgrath, you said. Yeah. [00:36:00]
Payman Langroudi: What a new ones that you’re interested in. And tell me some of the legacy ones that you like, as.
Adeola Gboyega: In like [00:36:05] makeup or skincare?
Payman Langroudi: Both. I’m talking about brand values rather than products.
[TRANSITION]: Okay.
Adeola Gboyega: So there’s one brand [00:36:10] that I absolutely love. So she’s a black founder. Her name is called Danessa Myricks. I love her because [00:36:15] she again is very good at storytelling and her products are just so innovative. [00:36:20] So she’s always thinking, how can I offer solutions to people’s [00:36:25] everyday woes? And I think if you’re always working from that kind of like stance point, you’re never going [00:36:30] to fail.
[TRANSITION]: Because technically.
Adeola Gboyega: Yes, I.
[TRANSITION]: Think so. Is that no.
Payman Langroudi: Is that what you mean? Solutions.
[TRANSITION]: Technical solutions? Yeah. [00:36:35]
Adeola Gboyega: Technical solutions. But also as well, you know, if she knows, for example, people are always worried about oily skin. [00:36:40] She’s going to create a product that’s going to help with that. And I think that’s very important because if you’re just doing [00:36:45] it because you’re going to hop on a trend, which I think a lot of brands are doing now. Yeah, there’s always going to be other brands that are going to do [00:36:50] that. But if you’re making really good sort of like theoretical products that actually work. The formulations [00:36:55] are good and they’re servicing the concerns that people have. You’re always going to do well. [00:37:00] But also I just love that she is very passionate about what she does and she still does Instagram [00:37:05] lives. Like, for example, her brand is so successful that she could literally be like, it can run its course, it’s going to do well and I don’t [00:37:10] need to be here. And that’s why I admire people like yourselves, because, you know, you you don’t have to be as [00:37:15] far as front facing as you are, but you do it because you’re passionate about it. Like, I love that you still [00:37:20] do TikToks. You still do videos. Like not everybody has to do that, but I think it’s very important.
Payman Langroudi: Skincare. The one [00:37:25] I’ve noticed. Trinny. Trinny London. Yeah.
[TRANSITION]: Done very well.
Adeola Gboyega: She’s done really well. But again, it’s because people [00:37:30] buy into her. Yeah. People buying her.
[TRANSITION]: Community.
Adeola Gboyega: Secondary. You know, they buy into who Trinny [00:37:35] is first and then they buy into the products afterwards. And I think when you’re leading from that kind of stance point, [00:37:40] you’re always going to do well.
Rhona Eskander: I want to challenge you on that, though, because I’ve seen a lot of content creators [00:37:45] 1 million, 2 million, 3 million followers. They bring a product out and it flops. So if they’ve bought into the person, [00:37:50] why has the product flopped again?
[TRANSITION]: I think it’s difficult.
Adeola Gboyega: It’s difficult, but also as well, it’s the lack of [00:37:55] community. Just because you’ve got numbers doesn’t mean that you’re engaging with your community, doesn’t mean that you’re servicing [00:38:00] them. For example, if you’re not doing things like Instagram Lives or you’re not actually actively speaking on stories, [00:38:05] how are you going to do well? Case in point, everyone’s.
Payman Langroudi: Examples aren’t there.
[TRANSITION]: There’s examples [00:38:10] on Melissa’s wardrobe.
Adeola Gboyega: She’s in a massive you know, she’s an incredible [00:38:15] person that I really look up to. But also I really absolutely adore because she’s a really good example of somebody [00:38:20] that is just so authentic and genuine, but has a real conversation with you on her stories. [00:38:25] You know, go on her page. It’s very beautiful, it’s very aesthetic. But at the end of the day, she will literally [00:38:30] be at home, hair tied up in a bun and having a conversation with you as if she’s having [00:38:35] a face time and you know she’s talking to you about real life things. You know, when she shared her story recently about [00:38:40] the end of her? Yeah. It’s real. Everybody’s going through all of those things. Doesn’t matter how successful you are, everyone’s [00:38:45] going through real life stuff. That is what people are buying into.
Payman Langroudi: There are examples where it’s worked, [00:38:50] for sure. The other way around. Right? So Glossier was a blog before it was a product. Huda [00:38:55] was a blog before it was a product. The Kardashian stuff like. There are examples [00:39:00] where community came first and product second.
Rhona Eskander: I think now it’s a little bit more difficult. [00:39:05] I was actually listening. I don’t know if any of you had, um, have listened to the podcast date yourself. Instead, [00:39:10] there’s a content creator called Liz Date yourself instead. Okay, so it’s [00:39:15] this. It’s this content creator called Liz. Um, and I really like her because I listen to all the self-help [00:39:20] stuff, and she does a lot about, like, the kind of, like, self-love and self-care and everything like that. And [00:39:25] she was talking about how and she’s created a very successful podcast, and she was saying that when she first started the podcast [00:39:30] industry, that people she saw people that had like 7,000,008 [00:39:35] followers and their podcasts flopped because she was saying, like, you can’t just assume because you’ve got a number on one [00:39:40] platform, it translates into another. And it’s completely different on like a podcast platform. [00:39:45] And I think, yeah, I think that that is also a really interesting [00:39:50] point. Being real and being authentic, I think is really important. You two.
Payman Langroudi: You two, [00:39:55] as women, tell me, what is the mental health side of [00:40:00] looking beautiful? Making yourself pretty. Like, is that a thing?
Rhona Eskander: I think so, [00:40:05] for sure. Yeah. I don’t really get dressed up like, look, I’m.
[TRANSITION]: You don’t get dressed up, and [00:40:10] I. Listen, you don’t get dressed up, my love.
Rhona Eskander: You haven’t let me finish my sentence. I don’t get dressed up for men, per [00:40:15] se. Because, because because. Yeah, but like, women love dressing up for women all the time. Obviously. Because we [00:40:20] notice things like. Did you notice my nails today? No, but she did. Yeah, exactly. [00:40:25] So, so basically, like, we noticed those little things about each other. [00:40:30] So I think that looking good is a form of self-care in a [00:40:35] way where you think like, you get up, you do like a routine. I find it, like, quite meditative.
Payman Langroudi: So [00:40:40] again, how come that doesn’t transfer into Dental? Like, what do you mean? Like, why can’t you get like a, like a [00:40:45] water flosser with your favourite mouthwash in it and feel like you’ve looked after yourself. [00:40:50] I do.
[TRANSITION]: I love doing my oral hygiene routine.
Payman Langroudi: You’re a dentist?
[TRANSITION]: No she does.
Rhona Eskander: My patients love it [00:40:55] now.
[TRANSITION]: I love it. Oh, really?
Payman Langroudi: You see, a self-care, like in the same way. Absolutely.
[TRANSITION]: How interesting. It’s [00:41:00] changing. I love that I treat.
Rhona Eskander: I treat a lot of the beauty influencers, and they [00:41:05] will now treat their teeth care as their skincare routine. They are now. They’re invested in coming [00:41:10] in every three months for airflow.
Payman Langroudi: Guided biofilm, whatever. Yeah.
Rhona Eskander: She goes and sees.
[TRANSITION]: Anna for airflow [00:41:15] all the time and then, you know.
Rhona Eskander: Flossing, brushing. She might text me, being like, oh, [00:41:20] did a tiny bit of bonding come out with my flossing, you know, and I’m.
[TRANSITION]: Like, because, you know, from the.
Payman Langroudi: From the prevention [00:41:25] side. Yeah. Like, you know, dentists job is to, you know, save teeth right from the prevention [00:41:30] message just isn’t sexy. But if it was a self-care message.
[TRANSITION]: But I’ve always said that. [00:41:35]
Payman Langroudi: No, but in the in the brushing in the in the cleaning side.
[TRANSITION]: Yeah I think it’s coming [00:41:40] to the forefront now. Yeah. But so much more.
Rhona Eskander: I don’t know if you saw we have a colleague of ours, Doctor Victoria. She was just [00:41:45] on Stephen Bartlett’s podcast talking about the oral microbiome. And, you know, Payman [00:41:50] said, like it was such a strong message because obviously with Stephen Bartlett’s platform, um, [00:41:55] now people are going to brush their teeth. Like how many millions of people are now going to brush their teeth? Like, that’s so amazing [00:42:00] because we can all get the message through to people. Even our own patients brush twice a day, every day. So [00:42:05] she was.
Payman Langroudi: Talking about.
[TRANSITION]: Diabetes, dementia, fertility, all those. But at the.
Rhona Eskander: End of the day, people are motivated [00:42:10] by selfish factors. Let’s be honest, because if they spend thousands of pounds on their bonding or veneers and [00:42:15] then you tell them they don’t brush their teeth, it’s all going to fail. They’re going to brush. Yeah. If people are told that [00:42:20] they’re infertile and that their saliva could have something to do with it, they’re going to brush. You see, people [00:42:25] have to see like feel something tangible.
Payman Langroudi: The Periodontists weren’t very happy with all of that, right?
[TRANSITION]: So we’ve got.
Payman Langroudi: Specialists [00:42:30] who say.
Rhona Eskander: Yeah.
[TRANSITION]: Tell me.
Payman Langroudi: The worst thing about being in the beauty industry. [00:42:35]
Adeola Gboyega: Um, comparison. I think it’s very important to have that conversation [00:42:40] because I think, you know, when you’re actively working in the industry, [00:42:45] especially with me being more of a content creator. Now, part of my job is to obviously like, [00:42:50] you know, be on trend and see what’s going on. But then that means that you’re consuming more social media, and then obviously you’re seeing [00:42:55] what other people are doing and you’re comparing yourself. And for someone like myself that, you know, the [00:43:00] average person might look at that and be like, oh, I’m happy within my life. But then I just dissect it and like, go into it even [00:43:05] more and then start thinking about it and overthinking. That’s when it can become very challenging.
Payman Langroudi: And also compare [00:43:10] yourself with other content creators. Is that.
Adeola Gboyega: Other content.
[TRANSITION]: Creators? Naturally. Is that what you mean? [00:43:15] Yeah, absolutely.
Rhona Eskander: Of course. Because also, like if you see someone that’s successful.
[TRANSITION]: On TikTok, [00:43:20] you have to.
Rhona Eskander: Understand what they’re doing right. And then naturally. But also like, I just hate being stuck [00:43:25] to my screen. That’s why I didn’t really when I started YouTube. And now I put the podcasts [00:43:30] on there. Youtube is a full time job, like, I don’t want to be stuck. Even like if you have an editor, you’ve got to [00:43:35] check stuff. They’ve got to check these podcasts. And like, I don’t want to be stuck forever to [00:43:40] your phone Like you’re naturally going to just be more unhappy.
Adeola Gboyega: Yeah. And it’s a constant rat race that you feel [00:43:45] like if I don’t post for a certain amount of days, I then start feeling a lot of anxiety about, okay, I need [00:43:50] to post now, but then what do I post? And have I missed out on certain things? So yeah, it’s just [00:43:55] a constant thing. There’s so many different things that I can speak about, but comparison would be one of the biggest ones. Um, [00:44:00] and also just feeling like you’re not living in the moment because everything can be like an Instagram Instagrammable [00:44:05] moment. Absolutely. So you’re always thinking, oh, I need to take a picture of this, or I need to do that. And [00:44:10] some days I just don’t want to be on my phone. And it’s really difficult also as well. You know, you have [00:44:15] your social media friends and your community in that sense, but you’ve also got to realise that you have [00:44:20] your real life friends, like my childhood friends, my family, and a lot of them haven’t been on social media or are [00:44:25] not on social media by choice. And so I then have to realise that how [00:44:30] I do things is not how they do things. For example, if I’m taking pictures of food, they might not want to take pictures [00:44:35] of food or I can’t ask them always to like take my content and take pictures of me because they don’t want to. [00:44:40] They just want to, like, have a good meal and enjoy themselves.
Rhona Eskander: But it is annoying. Like, you know, sometimes when you’re with someone [00:44:45] and they want to take 700 photos, you know, before they’re happy. I’m actually not one of those people. She’ll [00:44:50] vouch for me.
[TRANSITION]: You’re not at all. But. Yeah. Do you.
Payman Langroudi: Mean creators want to get it perfect. [00:44:55]
[TRANSITION]: Before they put it?
Rhona Eskander: Like even my makeup artist, Ahmed Cookie. You’re going to meet him one day.
[TRANSITION]: Like him?
Rhona Eskander: Like, [00:45:00] sometimes it’s like 700 photos before we get the right shots. Do you see what I mean? And I’m just like. [00:45:05] I’m like, I want to enjoy the dinner.
[TRANSITION]: Or the moment.
Rhona Eskander: Or walk. You know what I mean? Or like whatever. So sometimes [00:45:10] it becomes like a little bit more difficult. And I think that that’s the only thing that I’m worried about [00:45:15] because I think, like, the more that we’re stuck to our screens, the more we’re entering this [00:45:20] like Black Mirror. Oh, yeah. Um, vortex that we’re not going to be able to get out of.
[TRANSITION]: Yeah. [00:45:25] I bet.
Payman Langroudi: This this toxicity and ego.
Adeola Gboyega: All the time. But then I feel like that’s with every, [00:45:30] like, workplace. I always like I also look at social media as my job. You know, the same way that you would [00:45:35] go to a corporate job and there’s going to be toxic people and there’s going to be, you know, all that kind of stuff. It’s the same thing. [00:45:40] You know, there’s people that you meet in the industry and then you’re acquaintances. You have to realise that a lot of them are [00:45:45] not your friends. Play the game. Yeah, 100%. You have to go in there and realise that these are not my real friends. [00:45:50] My real friends are the people that will check in on me. And, you know, we’ll have like open conversations, [00:45:55] not the conversations that you have that are surface level when you go to these events, you know, and it’s the same with the corporate [00:46:00] world or any sort of like work place that you’re working in. It’s exactly the same.
Payman Langroudi: And do you think that [00:46:05] I always think with make up artists, there’s this sort of feeling that you’re on the edge of [00:46:10] the edge of the famous people and, you know, like because you must meet so many [00:46:15] famous people, right?
[TRANSITION]: Yeah. Do you get that? Not so much.
Adeola Gboyega: Now, because I feel like my bread and butter and where I make the [00:46:20] majority of my income is content creation. And actually, that can be quite lonely because you’re working for yourself and by [00:46:25] yourself and you’re working at home. Um, but then you don’t get fazed by that, because when you’re [00:46:30] going into, you know, the industry. As a makeup artist, before social media, the makeup [00:46:35] artist was always behind the scenes. You were never in front of the camera. It’s different now because now you can kind of [00:46:40] forge a really great career by being camera facing and being at the forefront. Um, but before, [00:46:45] you know, you dressed in all black. You were there to be, you know, you weren’t there to be seen. [00:46:50] You were not there to be heard. You were there to do your job. Yeah. You might be privy to conversations and [00:46:55] whole point of you being asked back and actually to have those relationships, because no matter what you saw or [00:47:00] what you heard, it never goes past that room. So I’ve been privy to a lot of things, but again, [00:47:05] it was never part of my job to kind of be enamoured by the celebrity. No one that actually goes into [00:47:10] being a makeup artist is about it because of the celebrity, because you work bloody [00:47:15] hard and half of the time you don’t even get to see or or like kind of reap the benefits of all those things until [00:47:20] much later on in life.
Rhona Eskander: Question for you. Do you agree with [00:47:25] content creators that work in the beauty industry [00:47:30] being very vocal about the experiences that they’ve had with [00:47:35] clients or brands in a way that might be deemed as derogatory. [00:47:40]
Adeola Gboyega: Yes and no. Um, I think if it’s going to be [00:47:45] an opportunity for you to voice something that might incite change, then yes, but [00:47:50] you have to be very mindful that when you then do that, you can’t then turn back. There’s been loads of experiences [00:47:55] that I’ve had where I could have spoken up about it and said something, but then I also feel once [00:48:00] I kind of divulge that information and share it, can I then go back, for example, that’s [00:48:05] going to ruin that relationship with me and that person. What does that have a knock on effect in terms of like [00:48:10] brand partnerships that I might have, because a brand might look at that and think, well, she’s spoken about a brand experience [00:48:15] that she’s had with that one person.
[TRANSITION]: She’s risky.
Adeola Gboyega: She’s a risky person to work with. I’m always [00:48:20] thinking about my reputation because I always feel that reputation is that thing that’s always on that [00:48:25] kind of knife edge, whereby any little thing can happen and it can just change 100%. [00:48:30] And there’s this real cancel culture. That’s very scary at the moment, whereby something could [00:48:35] happen to someone and it could just be like a minor mistake and people can just run with it and [00:48:40] that can be someone’s career over in a flash. It’s scary.
Rhona Eskander: So I’ve got a question for both of you. [00:48:45] You might not know this. You will definitely know this because you’re on TikTok. Someone like Bonnie Blue, who’s [00:48:50] had a lot of press about Bonnie Blue.
[TRANSITION]: No, see, I knew he wouldn’t know. I’m on TikTok.
Payman Langroudi: Hours every day, [00:48:55] though.
[TRANSITION]: Yeah, so.
Payman Langroudi: I’m not with.
Rhona Eskander: Bonnie. Blue is a content creator who’s 25 [00:49:00] years old. She became very famous. She earned £600,000 [00:49:05] a month month. She started off in OnlyFans and she decided [00:49:10] to be very creative with her content, as she puts it, by going out on [00:49:15] freshers week and sleeping with as many people.
[TRANSITION]: As possible and.
Rhona Eskander: Like her parents are involved [00:49:20] and she would say that she’s empowered and that the women that are judging her are the Karens [00:49:25] at home. I don’t know if you saw the interview with Ashley James and she basically says that [00:49:30] she is providing an educational source for young boys, [00:49:35] girls, etc. and obviously Ashley made the point. But how is it educating? You know, you’re actually [00:49:40] perpetuating this belief that, you know, women are there for sex, etc.. So [00:49:45] my question for you is this. And I think about this because now there’s some [00:49:50] other girls that are also following her. They’re like 22. They’re like, I love to be sexually [00:49:55] active. If I can make money from it, then great.
Payman Langroudi: It’s important [00:50:00] that someone, a woman, should be able to say, I like to be sexually active.
[TRANSITION]: Correct. But do [00:50:05] you really think that for that question to you, is.
Rhona Eskander: This both of you, do you really think [00:50:10] that content creation has got so far that people are doing the craziest, wackiest thing? Or do you [00:50:15] really believe that we’re sleeping with 100 people a day, which is what they want? One [00:50:20] of them wanted to do not Bonnie Blue, the other girl, Lily Phillips. That is truly making [00:50:25] her happy.
Payman Langroudi: No. Look, man, it’s art.
Rhona Eskander: Is it? Yeah. Like, [00:50:30] have we become a generation of, like, where we’re living in this black, mirrored dystopian [00:50:35] reality? No.
[TRANSITION]: It’s true. Well, the answer to that is yes. Yeah.
Rhona Eskander: That people don’t care [00:50:40] about ethics, morals and value because they’re like, do you know what? Like, there’s other girls, for example, in [00:50:45] OnlyFans. I need to stand out. So I’m going to do something completely shocking and different.
[TRANSITION]: But listen.
Payman Langroudi: You say ethics [00:50:50] and morals. Yeah. If she was going to campuses and taking people on a run. Yeah. [00:50:55] That would somehow be okay. But because.
[TRANSITION]: She’s going running.
Rhona Eskander: And taking people’s virginities are somewhat [00:51:00] different.
Payman Langroudi: But but you know that you’re reinforcing that we can’t talk about sex, [00:51:05] and we can’t. Not by saying that. By making that an ethical question. Yeah.
[TRANSITION]: It’s not that [00:51:10] because like you said.
Payman Langroudi: It’s not an ethical.
[TRANSITION]: Question. It’s not.
Rhona Eskander: About that. Because the point is, is that she knows, [00:51:15] like with anyone, that this goes for men and women. Like you’re 18, you’re not [00:51:20] that developed maturity wise. You’re just not pay.
[TRANSITION]: This goes for men and women. You go to a [00:51:25] bar for me, but then go to a when you’re a 26 year old.
Rhona Eskander: You are far more developed. So to me, [00:51:30] whichever way it works, you know, there is a degree of vulnerability and responsibility [00:51:35] that comes with dealing with 18 year olds. That’s my view. And that’s that is an [00:51:40] ethical question. You’re right, you’re right. I’m an 18 year old.
[TRANSITION]: Not so much.
Payman Langroudi: You’re writing so much as if you said [00:51:45] 16 year old, which would still be legal. Yeah, I would have a problem with it. So there is a line. Yeah, there [00:51:50] is, of course, 16 and.
Rhona Eskander: 18 is a line. Did you.
[TRANSITION]: Hear that? Yeah, exactly. So you heard it from her. [00:51:55] You are wild. I know I’m making your point for you.
Payman Langroudi: I’m making your point for you. Yeah. If it was 16 year [00:52:00] olds, I would have a problem. But, you know, there is a line, right? I just think it’s art, man.
Rhona Eskander: If you want to go and learn from her [00:52:05] because it’s art.
[TRANSITION]: I support.
Rhona Eskander: You in your decision.
[TRANSITION]: Okay? And we.
Rhona Eskander: Can move [00:52:10] on from that.
[TRANSITION]: Conversation.
Rhona Eskander: So what is [00:52:15] your vision for the future? Adeola.
Adeola Gboyega: God, this is a really good question. I’ve [00:52:20] been thinking about potentially bringing up my own range of product. Um, I [00:52:25] mean, like, early stages, like, you know, I have a mentor now that’s helping me kind of, like, have a discussion [00:52:30] about it. Um, you know, I want to have someone to consult with me because I think it’s very important. [00:52:35] One of the things that I think is very important in terms of success is to speak to somebody that’s already done what you’re trying to do. [00:52:40] Um, because obviously everyone’s made mistakes, and I know that if I was to go in there blind and try [00:52:45] and do it myself, I’m not going to make as much impact as if I spoke to someone that’s already launched a [00:52:50] brand or somebody that’s worked in that industry. Um, for so long, I was kind of like, does anyone [00:52:55] want more product? But then I also think, again, people buy into me. People are always asking me, what’s [00:53:00] the best mascara? What’s the best skincare product? So even with the fact that we have so much choice, [00:53:05] people still want to speak to you individually because they trust you.
Rhona Eskander: It’s unbelievable because some [00:53:10] people still message me saying, what’s the best, what’s the best? And I’m like, I’m constantly talking.
[TRANSITION]: About stuff.
Rhona Eskander: And [00:53:15] tagging stuff like do a little bit of like clicking, you know what I mean?
[TRANSITION]: Like just kind of.
Payman Langroudi: This is kind [00:53:20] of why you started Paula though.
Rhona Eskander: Her How? What? Why? People always ask. Yeah. For sure. Like, people [00:53:25] were always asking us. And then, you know, when you look into the brands that pay you or like, want to do, you start looking [00:53:30] into them and you’re like, what are their ethics? What are their values? What are their ingredients? And then we recognise that we could offer something [00:53:35] like better. I mean, I bought into used enlightened. No.
Adeola Gboyega: Yeah. I had it when [00:53:40] I was having my teeth done. Yeah.
[TRANSITION]: This is the best Payman brand.
Rhona Eskander: So I [00:53:45] bought into enlightened as a brand because for me, like, there was another competitor on the [00:53:50] market that really tried to route me into working with them and, like, just didn’t feel aligned to [00:53:55] it. Whereas, like, enlightened isn’t your standard whitening because the big thing about it is it’s much more [00:54:00] expensive. It really is, but it just aligned with me. Whereas like the cheap brands [00:54:05] just I just felt like it. I had a problem with even like telling patients like there’s this [00:54:10] option because and I do still do that because I’m like, look, there is the cheaper option. There isn’t. Listen to me, enlightened is the best because [00:54:15] I will give them that option. But I still struggle because there’s this like lack of alignment. You know what I mean? And [00:54:20] for me, it’s it’s not just about the I know how much Payman like, puts into the branding [00:54:25] and the ingredients and things like that. And that’s something that I will always I buy into that stuff [00:54:30] with everything, with the, the food that I put in my body with, like everything that I do. So [00:54:35] I think.
Payman Langroudi: For you doing your own brand. Yeah. The I mean, you know, I [00:54:40] would say beware. Yeah.
[TRANSITION]: It’s hard.
Payman Langroudi: I would say, don’t [00:54:45] even think about whether it’s worked or not for five years. Yeah, yeah. Like [00:54:50] if it works in year six, that’s still a massive success. Yeah. Yeah. Now, hey, [00:54:55] it might happen in the first year and go berserk. Yeah. Um, and I would say, you know, have [00:55:00] a financial partner. Yeah. Yeah. Like, because if it’s a six year project. Yeah. Bring [00:55:05] in someone who understands. Unless you understand how to raise money and all that. No.
[TRANSITION]: You know.
Adeola Gboyega: This [00:55:10] is why it’s really good to have, like you said, like, speak to someone that knows. And, um.
Payman Langroudi: I [00:55:15] would look at incubators. You know? You know what they are.
[TRANSITION]: No. What are they?
Payman Langroudi: So you go with your business plan to this, to [00:55:20] this incubator, and then they they either fit you up with the right people and then and [00:55:25] then show you the process right, and tell you whether they think it’s a good idea or not, take [00:55:30] you through the first few bits and get you into the sort of the whole thing of professionalising. [00:55:35]
Adeola Gboyega: Yeah.
Rhona Eskander: I would also say one thing, like one thing that’s really important. I wondered if you ever did that. But I do [00:55:40] think a mentor is invaluable. And I’ve had several mentors and for me that [00:55:45] is I think, like you said, I really you know, my biggest bugbear is [00:55:50] people that give you advice that haven’t even done what you want to do or have achieved anything. [00:55:55] I know it sounds really weird, but someone, for example, that’s like never had a successful relationship. Let’s [00:56:00] just give that as an example and they start giving you relationship advice. I’m like, hun, why? Why would I want [00:56:05] that? Because I for me, like mentors for example, are someone that have done something. I’m not saying necessarily like you [00:56:10] don’t necessarily have had to been a huge success, but for me the value lies [00:56:15] is that they’ve like walked the walk walked before they can talk the talk, you know. So I wanted to start [00:56:20] my own product, which we did do. I’d be happy to chat to you pay because I know that you’ve done that and you’ve [00:56:25] walked down that line. I’m not going to talk to like some random dentist that’s never done it. That is my personal [00:56:30] view. That is what I think is really important about mentors. When I wanted to open up Chelsea Dental [00:56:35] Clinic, I looked at people that had built practices that I aspired to have or had built brands [00:56:40] that I aspired to have. Those were the ones I looked up to, not the kind of average person that was [00:56:45] next to me. You might disagree with me because I can see there being like, I’m going to just disagree. But she [00:56:50] agrees, and I think there’s something there is something. There is something that.
Payman Langroudi: I [00:56:55] kind of agree. I kind.
[TRANSITION]: Of agree, you know, and I think.
Rhona Eskander: That that’s but that’s why you listen to a podcast like [00:57:00] Secret Leaders because you learn from those entrepreneurs, you know, like, I think there is something to have [00:57:05] been said.
Payman Langroudi: And did you see the story of Drunk Elephant? No. There’s a brilliant how I, how I [00:57:10] built this. Yeah. Where he goes and interviews Tiffany.
Adeola Gboyega: The lady that [00:57:15] kind of founded Texas girl.
[TRANSITION]: Yeah. Yeah.
Payman Langroudi: Brilliant story.
[TRANSITION]: You know how I built this?
Payman Langroudi: The podcast. [00:57:20]
Adeola Gboyega: Okay.
[TRANSITION]: So check it out.
Payman Langroudi: Brilliant.
Adeola Gboyega: I love stuff like that. But it’s to your point, I [00:57:25] think it’s very important to hear and speak people’s stories, because I think that’s how you learn. [00:57:30] Absolutely.
Rhona Eskander: I think you’re amazing. How is [00:57:35] your mental health now?
Adeola Gboyega: It’s good. It’s getting better. I think it’s an ongoing thing. Um, [00:57:40] I think for me, the biggest thing that I have to learn to do is not [00:57:45] feel like when things don’t work out, it’s a massive failure. So I catastrophize [00:57:50] everything, like a little thing will go wrong and I will literally just obsess over it [00:57:55] and literally just go into this hole. Um, but there’s a really good app, actually. Can I tell [00:58:00] you something?
[TRANSITION]: Yes.
Rhona Eskander: One of my favourite sayings that I keep telling myself now, rejection [00:58:05] is redirection. That’s all it is. When something doesn’t work out, another door will [00:58:10] open. And I really love that. Someone said that to me and I wrote it out again and again. Confusion is clarity. [00:58:15] Rejection is redirection. So I really love that. You know, you think that when one [00:58:20] door closes or something doesn’t work out, it just means that you’re being redirected into something else that’s going to be more in alignment [00:58:25] with you.
Adeola Gboyega: It’s so true, and I totally agree with that. Um, so yeah, I just [00:58:30] think I’m always trying to kind of look at tools that will really, really help me. Um, there’s a lady on [00:58:35] Instagram that I follow that basically shared something. It’s called untold. It’s [00:58:40] an app where basically you speak into it and it’s like a journaling app, but then it gives you [00:58:45] like different ways that you can kind of or different perspectives of how you can like, deal with it. [00:58:50] So it would be like a cognitive thing and then it would be like exercises. And that’s really helped me because sometimes in [00:58:55] the moment you might think, oh my God, woe is me, but it just takes someone to give you a different perspective to kind of change [00:59:00] your mindset at that moment in time.
Rhona Eskander: Do you know what else you can do? You can actually tell ChatGPT your problem [00:59:05] and.
[TRANSITION]: Ask it for.
Rhona Eskander: Advice.
[TRANSITION]: I love and it.
Rhona Eskander: Actually will give you like a bit of a nuanced [00:59:10] like.
[TRANSITION]: View on it all. What are your.
Adeola Gboyega: Thoughts on ChatGPT? I always love to hear what people think about [00:59:15] it.
[TRANSITION]: I think it’s.
Rhona Eskander: Great. I use it a lot because with my ADHD brain, I work so [00:59:20] quickly, full of spelling mistakes, full of like like in like I do [00:59:25] ten things at a time. So I use ChatGPT actually for like everything. So now even with [00:59:30] like an email, I’ll like do a voice note to ChatGPT and be like, write Payman and email [00:59:35] to discuss like our next like podcast discussion. This is our guest. Have a look at her background. Here’s the [00:59:40] link of the background. Can you. And then it like does it all. And I’m really good at it. And my partner [00:59:45] who works in finance, his boss is and he was like like if people know how to use AI [00:59:50] it can be incredibly successful. And also I think we can’t stop it. The only thing that I think will be interesting [00:59:55] to see is like from an educational point of view, like we all had to do our own research, right, to like create an [01:00:00] essay or whatever. And obviously people now are going to be using ChatGPT like, how are the universities and schools [01:00:05] going to stop it?
[TRANSITION]: Do you know from your.
Payman Langroudi: Yeah, I find it ridiculous. Like in my in my kids school they’ve banned it. [01:00:10]
[TRANSITION]: But you should just work with it.
Payman Langroudi: It’s total madness. I’m like, they should. They should make it compulsory rather [01:00:15] than banning it like.
[TRANSITION]: But then how would they.
Adeola Gboyega: Know that they’ve used.
[TRANSITION]: It like.
Payman Langroudi: They run it through a filter. But then. But [01:00:20] then kids are clever enough. Like there’s another, there’s another filter called humanise.
Adeola Gboyega: I just [01:00:25] to kind of make it sound a bit.
Payman Langroudi: I encourage my kids to use it. Yeah, but the only danger of [01:00:30] it outside of end of the world type dangers here is that if it has a political stance [01:00:35] and that’s been an issue. Right. Where, you know, Gemini was wasn’t [01:00:40] like was a bit very, very left leaning, very woke like, um, thing [01:00:45] and you know, that’s Google’s ChatGPT version. Um, and that question of because [01:00:50] now, now this will, this will literally become our government. Let’s [01:00:55] face it. You know, in the end, you know, the politicians will be using it to and if it’s [01:01:00] nuanced, if it’s racist, if it’s whatever it is. Yeah. Yeah. If it’s two right wing. Two [01:01:05] left wing. Yeah. And and how are they programming that and who owns that? And is [01:01:10] is there like regulation about to come in. That’s going to mean it has to say a certain thing. [01:01:15] And I think that would be a real shame if that happens. You know, in the same way as social media has been regulated. Um, [01:01:20] until Elon came along.
[TRANSITION]: Yeah.
Rhona Eskander: But X has gone down since Elon came along, so I’m not. Yeah.
Payman Langroudi: But [01:01:25] still the regulation piece. Yeah. Like, you know they did that thing the Twitter files. Yeah. And it was like the [01:01:30] government was constantly in at Twitter telling them what to do. Yeah I don’t want the government telling [01:01:35] I what to tell me. Let the technologists like make it. Yeah.
[TRANSITION]: Mhm. [01:01:40]
Rhona Eskander: Right. I can tell you this conversation forever. I’m not going to let him go down at X [01:01:45] and Twitter hole.
[TRANSITION]: Okay.
Rhona Eskander: And Elon and Trump like debate. That’s going to be another time. But [01:01:50] thank you so much for joining us. I want to ask you one final question before [01:01:55] we let you go. If there was something that you could tell your younger self, knowing what you know now, [01:02:00] what would you tell her?
Adeola Gboyega: Oh, I would say that your [01:02:05] value doesn’t lie in what you feel like you can offer, like you’re valuable as you are. [01:02:10] Because I think for so long I was always and I still struggle with it to this day. I always feel like, oh, [01:02:15] what can I offer people to feel like I’m valuable, but I’m actually having to learn that I am of value as [01:02:20] I am. And that’s.
[TRANSITION]: Perfect. You are.
Rhona Eskander: You’re amazing.
[TRANSITION]: Thank you.
Payman Langroudi: Thank you so much for this [01:02:25] as well. Go on. Your favourite day.
Adeola Gboyega: My favourite.
[TRANSITION]: Day. Describe [01:02:30] your favourite day.
Payman Langroudi: No no no. Like, what was.
[TRANSITION]: Your favourite day? Oh, what was my favourite day? What comes to.
Payman Langroudi: Mind? [01:02:35] What happened that day?
Adeola Gboyega: Wow.
Payman Langroudi: Best day of your life. And you’re [01:02:40] not allowed to say weddings, kids. None of that.
Adeola Gboyega: I have none of those.
[TRANSITION]: Not any of them yet.
Adeola Gboyega: So [01:02:45] I.
Rhona Eskander: Sitting on Dental.
[TRANSITION]: Leaders.
Rhona Eskander: No joking.
Payman Langroudi: It’s [01:02:50] in your 20s, man.
[TRANSITION]: Do you know.
Rhona Eskander: What are you living.
[TRANSITION]: In? No.
Payman Langroudi: Your favourite day.
[TRANSITION]: Was my 20s. [01:02:55]
Rhona Eskander: For sure. My 20s were terrible.
[TRANSITION]: Really?
Rhona Eskander: I was so insecure. And also. I [01:03:00] told.
[TRANSITION]: You this.
Payman Langroudi: What was your favourite day?
[TRANSITION]: Have a think.
Adeola Gboyega: I’m gonna say that I feel like I’m yet to experience it. And I’m [01:03:05] actually really excited.
[TRANSITION]: Yeah.
Adeola Gboyega: Because I don’t feel like I’ve had like a specific day that’s like, [01:03:10] oh my God, that stands out in my mind that I’m like, oh my gosh, that’s been the best day of my life. I feel like the [01:03:15] beauty that I feel like I’m living in the moment is that I’m yet to experience that. And that’s exciting.
Payman Langroudi: Today. [01:03:20]
[TRANSITION]: Yeah. Is that what you are?
Adeola Gboyega: Is that what you wanted.
[TRANSITION]: Me to say?
Adeola Gboyega: Today is the best day.
[TRANSITION]: Listen, what’s [01:03:25] your favourite day? Your favourite day?
Rhona Eskander: My life coach said to me that one of the most [01:03:30] important things is to find the extraordinary in the ordinary. And I know it sounds so cheesy, but [01:03:35] sometimes I really appreciate mundane things now. And it would be. And I don’t know if that’s [01:03:40] come with age. Like I’m like, oh my God, I’m actually a cougar now. I mean, I have to have kids first. But I was like, whatever. But [01:03:45] like the mundane, like I look at the trees or I’ll literally look at, you [01:03:50] know, something in nature. And I’m like, this is actually really extraordinary. I was [01:03:55] even watching, um, I was really ill last week, so I was watching about a puffer fish. [01:04:00] There was this incredible documentary about, like, the life of a puffer fish and watching how [01:04:05] nature like communicates with each other. I was like, this is unbelievable. So [01:04:10] having said that, some of my most beautiful moments have been in nature. I’m a little bit of a hippie, [01:04:15] so like me and my partner go scuba diving. We went to go watch the gorillas in Rwanda. [01:04:20] I went to go release the baby turtles into the sea in Guatemala.
Rhona Eskander: That was one of the most beautiful moments of my life, releasing [01:04:25] those baby turtles. And for me, those are some of the most beautiful moments. And, you know, people are like, what [01:04:30] about the day that you got married? And like, I have a problem with that, like you said, because I feel like that’s actually such a [01:04:35] curated day. The curation of that all is, is that although it’s a day of celebration, of love, so [01:04:40] much money and planning goes into it that it’s almost contradictory to be the most amazing day of your life, [01:04:45] because you’re doing it so that everyone looks at you. Do you know what I mean? So for me, that didn’t feel like [01:04:50] the natural, and I feel that maybe I might even have like a ten year anniversary [01:04:55] or something and do it like on a beach would feel more aligned, like in nature, not necessarily with anyone around, if that makes [01:05:00] sense. So for me, some of those moments are it will be in nature, I’d say, [01:05:05] where you really feel alive. You really.
[TRANSITION]: Feel like you’re one.
Payman Langroudi: Of our other guests said, like you could pick 6 or 7 things, [01:05:10] and if those 6 or 7 things happen in a day, then you’ve had a great day. Yeah.
[TRANSITION]: That’s [01:05:15] that’s that’s a really good way of doing an ice bath.
Rhona Eskander: Going for a.
[TRANSITION]: Long walk.
Rhona Eskander: Like experiencing animals. [01:05:20]
[TRANSITION]: You know what I mean?
Adeola Gboyega: I love that and I think also as well, I had that same conversation with my therapist at the time [01:05:25] because I think especially and I think you might agree with this, when you’re in the kind of mindset [01:05:30] that we have where you’re always chasing your next high of like, you know, what’s happening next, what’s happening next, [01:05:35] when those things don’t happen, you then take it very, very personally. So then you’re always on this constant sort of journey [01:05:40] of what’s going to happen next to the point that you don’t even actually, like, think about what you’ve achieved. Like just [01:05:45] last week, because you’re thinking, oh my gosh, what’s happening?
[TRANSITION]: How far you’ve come that I’m [01:05:50] the worst, that I’m going to be completely.
Rhona Eskander: Honest with you. Like celebrating the like official launch of [01:05:55] Chelsea Dental Clinic, even though we like really opened up in like June.
[TRANSITION]: July last night. Yeah.
Rhona Eskander: I [01:06:00] was like, oh my God. Like I’ve been so hard on myself. I never took a moment to appreciate [01:06:05] what I built in that clinic. And Joseph and Charlie came. They were the owners that I [01:06:10] bought the clinic from.
[TRANSITION]: Joseph, and.
Rhona Eskander: They were like, what the hell have you done to this place? They couldn’t recognise it. And I was [01:06:15] like, this was literally a two surgery practice, you know, so basic. What is it [01:06:20] now? And it’s five surgeries. And like I came from the beginning, like, you know, when it was a [01:06:25] basic and I was like, I never took stock. I never took stock of what it was like. [01:06:30] Next. Hi. Next. Hi. So when the refurb was done, I was like, cool. Next.
Adeola Gboyega: Yeah. What’s next?
Rhona Eskander: Yesterday I was like, oh my God, I have [01:06:35] so many people in this room that love me, that care about me and have like, really, like shown me that they’re [01:06:40] proud of me. You know, I even had like, monarch tell me, you know, like big dentists that I’ve [01:06:45] known for years. And I was like, do you know what? I’ve actually achieved something that I can be proud of.
[TRANSITION]: Yeah.
Adeola Gboyega: So and [01:06:50] that’s amazing.
[TRANSITION]: And on that note.
Rhona Eskander: Thank you so much for being part of that journey.
[TRANSITION]: Thank you so much. [01:06:55] Thank you for having me.